Perception and Vision
Through the body, we critically examine the language of art as a means of expression, and legitimise its drive towards a constant metamorphosis of the scenic sign. The core of our research is the return to or restart from the corporeal root as a source of new visions. The body is the main issue, it is the foundation of every sense, which questions the artistic language because it indicates it as the condition that could best approach the incandescence of an identity nature. From vision to ingenuity, it is a necessary ingredient of technical and instrumental language, which attempts to redesign the vision itself, so that something of an intuition can become a surface. That is, the lever to revive the feeling of the contemporary.