Con grande sprezzo del ridicolo
DEEP DIVE

The play written by Fabio Marson starts from a historical fact that actually happened in 1864. The topic is a pretext to talk about something else. In fact the wreck of all ideas and the transformation of the couple’s roles will make them completely lose touch with the beginning of the story. Hence the desire to deconstruct the play and entrust the analysis of three macro-themes to Fabio Marson and the company’s actors: the word that creates reality; the figure of the woman and her transformation during the evolution of the play on scene, and the involution of Joseph’s character; how much can a historical fact become contemporary?