The research moves within the immersive dimension of darkness, exploring the possible state of invisibility of a body. What happens to the dance if no one can see it?
Movement, in this way, does not seek to exist in its emerged, evident, positive, illuminated dimension, but rather to be found beneath, in the abyss, in the negative, in the darkness, in the hidden. The illusion of invisibility is thus conceived as a bridge toward an evaporated and evanescent body that invites a distracted, soft, and intermittent gaze.
In this way, dance exists as a presence, not as a shape, for an audience that perceives and glimpses it only partially, opening up possibilities for imagination and invention.
A ghostly environment where light dims and sound transports elsewhere, in a live set that informs the space with floating sonic elements.
Our idea of performance therefore evokes states of hypo-performativity and rest in a moment of shared dispersion, an opportunity to get lost together.