Starting from an inquiry into Debord’s thought, we delve into the tenets of image in the era of “videocracy.” Monás is a hybrid work that merges participatory installation, choreographic autopoiesis, and live cinema to create a “temporary micro-society,” a space of coexistence. The scenic setup, that engages the audience, is conceived as an ecosystem, within which one can experience the deferral of their own body as an image, so as to reflect on the relationship between real space and representational space—and on how, within this disruption, one either undergoes or exercises a form of power. Through reciprocal interference, the body and its double animate a landscape composed of drifting figures, which linger on the screen as both an evocation and a representation. When the play exhausts itself through repetition, the real substance of things emerges.