A meeting is an intimate space, shared and free in the communication of visions and thoughts.
Before the movement, there is dialogue, words, and a common thought on the macro aspects that belong to the scene, to the movement, to dance, to the choreographic composition, to reality, and to the life of each one. Readings and desires are shared in order to go deep into a common insight. The cohabitation of two individual autonomies of corporeal practice in time and space prepares the specificities of each one for the common work. As we offer reciprocal proposals for either individual or joint explorations, we observe and protect each other in the search for the unknown. We analyse what has emerged in our improvisation practices and then structure it from a minimum to a maximum definition of movement and of its relation to space and imaginary. We rely on a research trajectory that is as organic as possible in order to arrive at a coherent dramaturgical perspective.