{"id":19081,"date":"2023-09-05T15:11:04","date_gmt":"2023-09-05T15:11:04","guid":{"rendered":"https:\/\/teatridivetro.it\/uncategorized\/ekphrasis-o-della-caduta-2023\/"},"modified":"2025-02-12T17:43:12","modified_gmt":"2025-02-12T17:43:12","slug":"ekphrasis-o-della-caduta-2023","status":"publish","type":"post","link":"https:\/\/teatridivetro.it\/en\/programme-2023\/ekphrasis-o-della-caduta-2023\/","title":{"rendered":"EKPHRASIS OR ON THE FALL"},"content":{"rendered":"<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">What generates the verbal description of a posture in the body of the person who embodies it? How can a posture (static by definition) generate a dance? And how can that dance become choreography? Which points do the inner forces of the body lean on? What relationship arises among the bodies in action?<br \/>\nSuch questions are designed to challenge the certainties of the body in action, to remove its habits, its confidence. A body present at all times, free from imitative canons, a body in action without pre-established models to follow, a body unique in its being on stage. <\/span><i><span style=\"font-weight: 400;\">EKPHRASIS or on the fall <\/span><\/i><span style=\"font-weight: 400;\">makes use of ELP\u2019s method of dance transmission, which is based on the <\/span><i><span style=\"font-weight: 400;\">removal of the choreographer&#8217;s body<\/span><\/i><span style=\"font-weight: 400;\"> as a model to be followed and imitated. <\/span><i><span style=\"font-weight: 400;\">Removing the model<\/span><\/i><span style=\"font-weight: 400;\"> means shunning the ridiculous imitation of movement, it means opposing the hierarchy of power, a power that crushes and annihilates. Seeking the vital force, the disruptive energy is then the aim of the workshop, an energy which is always poised towards a ruinous fall.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>What generates the verbal description of a posture in the body of the person who embodies it?<\/p>\n","protected":false},"author":2,"featured_media":17248,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[76],"tags":[],"autore":[],"class_list":["post-19081","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-programme-2023"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/posts\/19081","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/comments?post=19081"}],"version-history":[{"count":2,"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/posts\/19081\/revisions"}],"predecessor-version":[{"id":19183,"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/posts\/19081\/revisions\/19183"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/media\/17248"}],"wp:attachment":[{"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/media?parent=19081"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/categories?post=19081"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/tags?post=19081"},{"taxonomy":"autore","embeddable":true,"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/autore?post=19081"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}