Alone on stage, a dancer struggles among quotations of different nature and quality, focusing on an entire scene from the 1921 movie The Playhouse, where Keaton plays a monkey that imitates clich\u00e9s of human bourgeoisie.\u00a0<\/span> Alone on stage, a dancer struggles among quotations of different nature and quality, focusing on an entire scene from the 1921 movie The Playhouse, where Keaton plays a monkey that imitates clich\u00e9s of human bourgeoisie.\u00a0<\/p>\n","protected":false},"author":2,"featured_media":17701,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[75],"tags":[],"autore":[],"class_list":["post-18858","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-programme-2024"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t
\nWe share an opening of the creation of Trickster, where dance has been composed through a collage of plural and manifold materials: unpredictable crossings which place the body in a state of constant questioning.<\/span>
\nFrancis Bacon\u2019s sensual and kinetic painting nourished the physical dramaturgy.<\/span>
\nThe emerging portrait is a haunted body, animated by the constant and pressing dialogue between its own anatomical specificity and the almost acrobatic invitations of the scores.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"