Alone on stage, a dancer struggles among quotations of different nature and quality, focusing on an entire scene from the 1921 movie The Playhouse, where Keaton plays a monkey that imitates clich\u00e9s of human bourgeoisie.\u00a0<\/span> Alone on stage, a dancer struggles among quotations of different nature and quality, focusing on an entire scene from the 1921 movie The Playhouse, where Keaton plays a monkey that imitates clich\u00e9s of human bourgeoisie.\u00a0<\/p>\n","protected":false},"author":2,"featured_media":17701,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[75],"tags":[],"autore":[],"class_list":["post-18858","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-programme-2024"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/posts\/18858","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/comments?post=18858"}],"version-history":[{"count":3,"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/posts\/18858\/revisions"}],"predecessor-version":[{"id":18948,"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/posts\/18858\/revisions\/18948"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/media\/17701"}],"wp:attachment":[{"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/media?parent=18858"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/categories?post=18858"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/tags?post=18858"},{"taxonomy":"autore","embeddable":true,"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/autore?post=18858"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nWe share an opening of the creation of Trickster, where dance has been composed through a collage of plural and manifold materials: unpredictable crossings which place the body in a state of constant questioning.<\/span>
\nFrancis Bacon\u2019s sensual and kinetic painting nourished the physical dramaturgy.<\/span>
\nThe emerging portrait is a haunted body, animated by the constant and pressing dialogue between its own anatomical specificity and the almost acrobatic invitations of the scores.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"