OPERABIANCO\u2019s work originates from processes of constant transmission between its two authors: a choreographer and a director\/visual artist exchange their own materials and questions, which in turn come from other authors, artists, works.<\/span> OPERABIANCO\u2019s work originates from processes of constant transmission between its two authors: a choreographer and a director\/visual artist exchange their own materials and questions, which in turn come from other authors, artists, works<\/p>\n","protected":false},"author":2,"featured_media":17700,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[75],"tags":[],"autore":[],"class_list":["post-18843","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-programme-2024"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t
\nQuotation is a means of knowing and deep connection for OB with what \u2013 out of reach \u2013 is no longer there or is not here.<\/span>
\nIn the same way, quotation is the paradigma of their scenic creation: in the project Trickster it is the centre of their compositional assumption. It is the means by which to recreate a language, along the fine line between the true copy and the need of breaking up the formal structure, giving space to the vital force of mo(ve)ment.<\/span>
\nHere the transmission is double, or triple (considering the passing of the materials to the performer), and it generates a mirror game, extended to the observers: on this occasion in Tuscania, sources and techniques of the performance will be shared, but in the final show they will be no longer visible but in the echo of the performer\u2019s body.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"