{"id":18726,"date":"2025-01-14T16:22:11","date_gmt":"2025-01-14T16:22:11","guid":{"rendered":"https:\/\/teatridivetro.it\/?p=18726"},"modified":"2025-01-26T10:58:25","modified_gmt":"2025-01-26T10:58:25","slug":"tools","status":"publish","type":"post","link":"https:\/\/teatridivetro.it\/en\/programme-2024\/tools\/","title":{"rendered":"TOOLS"},"content":{"rendered":"<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">TOOLS is a solo music project that pluralizes sound through the use of sampling as a living and dialogic material.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">The minimal setup, consisting of two laptops and a few controllers, engages the aesthetics of zapping to introduce and re-modulate excerpts and quotes within a meditative discourse.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">Loops and samples are absorbed by rarefied dynamics and stretched-out sonorities.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">The use of an entirely electronic setup leads to an immersive experience made of distorted landscapes and fake realities.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">An ironic and contradictory<\/span><i><span style=\"font-weight: 400;\"> all-in<\/span><\/i><span style=\"font-weight: 400;\"> of field recordings, grooves, TV intrusions, and advertising interferences.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">In this way, sound accompanies the experience of distant worlds and references, in a live set that is played, performed, disturbed and remixed.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">TOOLS aims to sum up points of view in a deliberately ambiguous and dispersed posture.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>TOOLS is a solo music project that pluralizes sound through the use of sampling as a living and dialogic material.<\/p>\n","protected":false},"author":2,"featured_media":18008,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[75],"tags":[],"autore":[],"class_list":["post-18726","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-programme-2024"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/posts\/18726","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/comments?post=18726"}],"version-history":[{"count":5,"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/posts\/18726\/revisions"}],"predecessor-version":[{"id":18990,"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/posts\/18726\/revisions\/18990"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/media\/18008"}],"wp:attachment":[{"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/media?parent=18726"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/categories?post=18726"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/tags?post=18726"},{"taxonomy":"autore","embeddable":true,"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/autore?post=18726"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}