{"id":17975,"date":"2024-10-29T14:34:55","date_gmt":"2024-10-29T14:34:55","guid":{"rendered":"https:\/\/teatridivetro.it\/?p=17975"},"modified":"2025-01-24T14:34:47","modified_gmt":"2025-01-24T14:34:47","slug":"pinocch-io","status":"publish","type":"post","link":"https:\/\/teatridivetro.it\/en\/programme-2024\/pinocch-io\/","title":{"rendered":"PINOCCH-IO"},"content":{"rendered":"<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">Pinocch-io is a path that\u00a0 comes from\u00a0 a\u00a0 personal\u00a0 focus\u00a0 on\u00a0 the\u00a0 frailty\u00a0 and\u00a0 ambiguity\u00a0 of\u00a0 being\u00a0 there, now, as human and living beings. A reflection on the desire to recognize one&#8217;s body; a human body that in its multiple uniqueness and its naked disarmament moves in a condition of im-balance and tension, between fiction and truth, natural and artificial, light and darkness,\u00a0 life and death. My gaze lies on the archetypal figure of Pinocchio, on\u00a0 that imagined body that projects itself into a liminal, suspended space, and in its continuous and obstinate effort to free its deep nature and to make that step forward to get into (its)\u00a0 dreamed\u00a0 world.\u00a0 \u00a0 My\u00a0 body\u00a0 connects to\u00a0 the\u00a0 &#8220;figur-I&#8221; in an act of presence, and is reflected in Pinocchio&#8217;s endless desire to become flesh and\u00a0 gaze.\u00a0 Through\u00a0 movement\u00a0 he\u00a0 trains his\u00a0 return\u00a0 to\u00a0 the\u00a0 living\u00a0 body,\u00a0 makes\u00a0 space for childhood memories,\u00a0 and\u00a0 tries\u00a0 to\u00a0 reconstruct\u00a0 that\u00a0 desire,\u00a0 that\u00a0 transformative\u00a0 passage,\u00a0 that\u00a0 feeling, that visceral need to <\/span><i><span style=\"font-weight: 400;\">be there<\/span><\/i><span style=\"font-weight: 400;\">. <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pinocch-io is a path that\u00a0 comes from\u00a0 a\u00a0 personal\u00a0 focus\u00a0 on\u00a0 the\u00a0 frailty\u00a0 and\u00a0 ambiguity\u00a0 of\u00a0 being\u00a0 there, now, as human and living beings.<\/p>\n","protected":false},"author":2,"featured_media":17970,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[75],"tags":[],"autore":[],"class_list":["post-17975","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-programme-2024"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/posts\/17975","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/comments?post=17975"}],"version-history":[{"count":5,"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/posts\/17975\/revisions"}],"predecessor-version":[{"id":18924,"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/posts\/17975\/revisions\/18924"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/media\/17970"}],"wp:attachment":[{"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/media?parent=17975"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/categories?post=17975"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/tags?post=17975"},{"taxonomy":"autore","embeddable":true,"href":"https:\/\/teatridivetro.it\/en\/wp-json\/wp\/v2\/autore?post=17975"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}