FALLEN ANGELS

FALLEN ANGELS is a symphony about the bodies who fall in the present, immortalised in a hyperkinetic suspension, between up and down, ascent and ruin. The image of the fall of the rebel angels is shifted and recontextualised as an observation on recent musical phenomena (trap music and offshoots: protagonists, narratives, self-representations, aesthetics). We wonder what frequency it embodies the body that lives our current present in a continuous state of progression, acceleration, innovation, as well as saturation, inertia and anachronism. The body that dances to the invisible notes of F.A. immerses itself in an ‘existential’ condition of fall, and vaporises its matter. This ‘plural’ body transcends into a chorus of post-human voices, of shattered and slimy verses: it is “tragedy becoming timbre’.