A work session open to the public in the ‘dark room’ of FALLEN ANGELS to re-examine the corporeal matter, the musical apparatus and the photographic medium. The action is disengaged from the original structure and takes form solely by the spatial and material condition, proposing an unprecedented vision of our practice of ‘intonation’. We re-work the archive, therefore, to go deep and pick up, in order to generate a form of ‘performative collection’ – as a clue from within – of our creative process.